The 100th Novel: Joe R. Lansdale’s The Bottoms

At its surface Joe R. Lansdale’s novel The Bottoms shares parallels with Harper Lee’s To Kill a Mockingbird: its narrator looks back onto a southern childhood during the Depression — the setting is East Texas, rather than Alabama; the narrator is witness to the injustices of racial prejudice; the novel has an enigmatic figure like Boo Radley, known as the Goat Man; and the novel’s narrative voice is that of  precocious curious preteen Harry Crane.

When Harry and his younger sister Tom (Thomasina) discover the horribly mutilated body of a black woman in the bottom land of the Sabine River, they uncover more than a murder. They uncoil the not-so-hidden racism and racial injustice lurking in their small town, a set of beliefs and attitudes as dangerous and poisonous as the cottomouths that slither in the river. They also get caught up in hunting down the Goat Man, a half-goat, half-man rumored to lurk along the river’s banks.

Investigating the murder — which turns into an investigation of serial murder — is constable Jacob Crane, Harry and Tom’s father. Much like Atticus Finch, Jacob takes up the investigation of the multiple murders of black women to the consternation of the whites in the town, many of whom overtly try to discourage the investigation, simply because the victims are black. Jacob is harassed by the Klan; and is unable to prevent a black man — at first a suspect — from dying at the hands of a lynch mob.

Where Jacob differs from Atticus, is that Jacob is aware of his own innate racial prejudice: it’s what leads him to suspect and arrest the black man Mose, who later gets lynched, on thin circumstantial evidence. Jacob is like Atticus, who Jane Smiley notes doesn’t “have the will to break up the status quo and reimagine American life as socially, culturally, and politically as well as legally egalitarian.”

Atticus, to some extent, is always too virtuous, too stand-up of a guy, to see his fight is caught up in a failure, as Smiley notes, to question social forms. Jacob redeems himself somewhat by taking action beyond recognizing the injustices: he brutally beats the lynch mob’s leader with an axe handle, but only after a white woman turns up murdered after Mose is murdered.

The novel is an excellent portrait of the time it represents, and the voice of Harry is engaging. It reveals the innate racism that still seems to infiltrate the American mind. It’s also an wonderful portrait of a family, warts and all. Plus, it has a Goat Man (sort of).

Booking Through Thursday: Why I stop reading

Here is this week’s Booking Through Thursday:

If you’re not enjoying a book, will you stop mid-way? Or do you push through to the end? What makes you decide to stop?

I used to press on because I felt obliged to read the book whether I liked it or not. Sometimes I pressed on because the books were assigned reading.

Now, however, I’ll stop reading mid-way, or even before. The reasons vary. Usually, though, I’ll stop because of the language, if the language is clearly self-consciously written. That is, the writer is trying to sound like a writer. He’s amping up the prose to show off. He’s not writing in his voice.

If the language doesn’t turn me off, I keep reading, unless something else halts me. Coldness does this to me. For example, as many times as I’ve tried to read William Gaddis’s The Recognitions, I stop. To me, Gaddis’s prose is cold in that novel.

One thing I’ve learned when I’ve tried to read a book like The Recognitions, and have given it a serious chance, I no longer feel obliged to read it. And I don’t have a class to pass.

Franzen in Time

I’m not a big fan of Jonathan Franzen, but it’s nice to see a good writer make the cover of the Aug. 23 issue of Time in our post-literate age. His latest novel Freedom is out this month, nine years after The Corrections.

The Time piece is a nice profile of the writer and a preview of the book. Here’s a passage I liked on the significance of the novel, on reading in general in a multi-media saturated culture driven to constant distraction:

There are any number of reasons to want novels to survive. The way Franzen thinks about it is that books can do things, socially useful things, that other media can’t. He cites . . . the philosopher Soren Kierkegaard and his idea of busyness: that state of constant distraction that allows people to avoid difficult realities and maintain self-deceptions. With the help of cell phones, e-mail and handheld games, it’s easier to stay busy, in the Kierkegaardian sense, than it’s ever been.

Reading, in its quietness and sustained concentration, is the opposite of busyness. ‘We are so distracted by and engulfed by the technologies we’ve created, and by the constant barrage of so-called information that comes our way, that more than ever to immerse yourself in an involving book seems socially useful,’ Franzen says. ‘The place of stillness that you have to go to to write, but also read seriously, is the point where you can actually make responsible decisions, where you can actually engage productively with an otherwise scary and unmanageable world.’

Book Review: Iain Banks’ The Wasp Factory

The Wasp FactoryThe Wasp Factory by Iain M. Banks
My rating: 4 of 5 stars

In 1991, Bret Easton Ellis’ novel American Psycho stirred-up a hornet’s nest of outrage from critics and feminists before it was published. The novel was scorned for its graphic depictions of violence, especially against women.

In the novel serial killer Patrick Bateman describes his murders in excruciating detail. He also describes his daily life in the same excruciating detail, in flat atonal first-person prose.

From brushing his teeth to eating meals, all of Bateman’s is life is ritualized, and disturbing. His frame of mind is eerily like that of Frank Cauldhame, protagonist of Iain Bank’s The Wasp Factory.

Like Bateman, Cauldhame’s life is ritualized: he’s developed a fantasy world that often involves torturing and killing animals (apparently a common trait of serial killers). Within that fantasy world is the Wasp Factory, an old clock Cauldhame uses to kill wasps in an labyrinthine torture chamber.

Like Bateman, Cauldhame, 17, has also murdered — in his case family members: one cousin with an adder, another cousin with a giant kite, and a younger brother with a bomb that had lain unexploded since World War II.

As sinister as Cauldhame is, what makes this novel palatable is the language and voice of its narrator. The flat tone of American Psycho makes it almost impossible to read without experiencing the overwhelming desire to pluck your eyes out.

Cauldhame has a voice. He’s almost pleasant to follow as he tours the reader through his darkly comic fantasy world.

You actually sort of care for Cauldhame. You want to know what happens to him and what caused his need to kill and torture.

And Banks reveals this with a twist that even Ambrose Bierce would have been envious of.

View all my reviews

Booking Through Thursday: Reading questions

Here’s this week’s Booking Through Thursday:

1. Favorite childhood book?

Comic books. Batman and Sgt. Rock.

2. What are you reading right now?

The Tar-Aiym Krang by Alan Dean Foster

3. What books do you have on request at the library?

None

4. Bad book habit?

Getting a big stack of to-reads on the night table, and then looking for more books.

5. What do you currently have checked out at the library?
Nothing

6. Do you have an e-reader?
No

7. Do you prefer to read one book at a time, or several at once?
I try to read one at a time. But, it never works that way. I usually end up reading several books at one time.

8. Have your reading habits changed since starting a blog?
No. Now I just get a chance to spout my opinions on the Internet. It’s so good the Internet is on computers now.

9. Least favorite book you read this year (so far?)
I can’t recall a terrible read so far, but I wasn’t really entertained by Layover in Dubai by Dan Fesperman, and Ian McEwan’s Solar.

10. Favorite book you’ve read this year?
The last read was pretty good: The Moth Factory by Iain Banks

11. How often do you read out of your comfort zone?
I don’t really know if I have a “comfort zone” when it comes to reading. Then again, I haven’t voluntarily picked out any algebra textbooks to read for pleasure lately.

12. What is your reading comfort zone?
See above.

13. Can you read on the bus?
I don’t ride the bus.

14. Favorite place to read?
In my bedroom.

15. What is your policy on book lending?

I will, but I have to have some sense that I’ll get the book back.

16. Do you ever dog-ear books?
I try not to. I have in the past. But I didn’t inhale.

17. Do you ever write in the margins of your books?
Yes. When the conversation is engaging.

18.  Not even with text books?
See above

19. What is your favorite language to read in?
Unfortunately, I only know English.

20. What makes you love a book?
Good characters, living settings, language. A sense the writer cared enough to craft the very best he or she could.

21. What will inspire you to recommend a book?
See above

22. Favorite genre?
I don’t have a particular favorite, although at the moment I’m reacquainting myself with science fiction.

23. Genre you rarely read (but wish you did?)
See above

Favorite biography?
Hemingway by Kenneth Lynn

25. Have you ever read a self-help book?
Yes. Honestly some are insightful, especially those written by qualified professionals.

26. Favorite cookbook?
The Complete Idiot’s Guide to Cooking

27. Most inspirational book you’ve read this year (fiction or non-fiction)?
I can’t think of anything right off that was all that inspiring.

28. Favorite reading snack?

Dry red wine.

29. Name a case in which hype ruined your reading experience.
The last time I had that happen it was reading Stones of Summer by Dow Mossman.

30. How often do you agree with critics about a book?
50/50 maybe.

31. How do you feel about giving bad/negative reviews?
I try to find something good, but sometimes there are books so bad you have to warn people away from them.

32. If you could read in a foreign language, which language would you chose?
Spanish. That’s the second language I know the most about.

33. Most intimidating book you’ve ever read?
Ulysses

34. Most intimidating book you’re too nervous to begin?
I can’t see myself ever getting through all the volumes of Proust.

35. Favorite Poet?
Rilke

36. How many books do you usually have checked out of the library at any given time?
1-3 on average

37. How often have you returned book to the library unread?
Not often, although I sometimes return them not fully read.

38. Favorite fictional character?
Brett Ashley from The Sun Also Rises

39. Favorite fictional villain?
Darth Vader

40. Books I’m most likely to bring on vacation?
Something with less than 300 pages

41. The longest I’ve gone without reading.
A day or so.

42. Name a book that you could/would not finish.
No matter how often I’ve tried, I can’t get past the first few pages of Gravity’s Rainbow.

43. What distracts you easily when you’re reading?
Noise. Especially children.

44. Favorite film adaptation of a novel?
Sideways and Apocalypse Now

45. Most disappointing film adaptation?
Almost all the ones from Hemingway novels — too literal.

46. The most money I’ve ever spent in the bookstore at one time?
up in the $100 range

47. How often do you skim a book before reading it?
pretty often

48. What would cause you to stop reading a book half-way through?
boring characters, unsatisfying setting. A writer who clearly hasn’t put 100 percent into the book.

49. Do you like to keep your books organized?
I try

50. Do you prefer to keep books or give them away once you’ve read them?
Keep. I’m sort of Gollum-like with this. Although at the same time I’m getting better at letting go.

51. Are there any books you’ve been avoiding?
Probably

52. Name a book that made you angry.
Brightsided by Barbara Ehrenreich. Not what she had written but what she had revealed about how pervasive the cult of positive thinking is in American culture.

53. A book you didn’t expect to like but did?
Can’t think of one right off hand

54. A book that you expected to like but didn’t?
Sideways

55. Favorite guilt-free, pleasure reading?
Science fiction

The guilty pleasures of Joshua Braff

I’ve felt like Joshua Braff in this NPR piece, loving such guilty pleasures science fiction, but disdaining the genre all through grad school as if it didn’t exist.  But, I’ve also pretentiously fawned over Joyce and DeLillo, and I have read them, Ulysses and Underworld, though not Finnegan’s Wake or whatever DeLillo’s recently released.

But, I’ve also read John Irving and Stephen King. They are master storytellers, and storytelling sometimes seems lacking in the language experiments of the DeLillos and Joyces of the lit world.

Enjoy the link:

Proud and Unpretentious: Lessons from John Irving

There Are No Rules – Your Online Presence Can’t Just Be a Gimmick (Or: Using Twitter Meaningfully While Unpublished) via Writer’s Digest

Below is another post on writing, publishing and marketing. Regarding using Twitter as a marketing tool, I think the key word in the title is “meaningfully”. I signed up on Twitter just to see what it was all about. I gained some followers. Tweeted some, but never continually on a daily basis. I still don’t. Sometimes I try to tweet regularly as I have today, at the same time, I wonder how much of me is too much of me. How many of my tweets are really meaningful? Which ones will gain an audience? Which ones might snag a freelance assignment?

There Are No Rules – Your Online Presence Can’t Just Be a Gimmick (Or: Using Twitter Meaningfully While Unpublished).

There Are No Rules – How One Author Is Using Scribd to Find Readers via Writer’s Digest

Last week I read the post below from Writer’s Digest, and it motivated me to check out Scribd. Marketing/promoting my work and my writing is probably the most difficult aspect of my writing life, almost as difficult as the writing itself. I had found some useful documents on Scribd, and signed up to download them. Now I’ve created a profile here: My Scribd Profile.

Since creating a profile, I’ve uploaded several freelance pieces. I also plan to upload a piece of fiction I’m drafting. And I may upload a draft of a novel. I’ll see what happens.

via There Are No Rules – How One Author Is Using Scribd to Find Readers.

The First 10 Pages

This week I challenged myself to start a new writing project. Below I’m offering the first 10 pages —  seven day’s worth of writing — for your consideration. Feel free to let me know what you think. It’s my first attempt at science fiction.

___

Six months embedded with the Old 300th Drop Regiment on Ukiah, Jonah Parker only worried about keeping his ass down and making deadline. Five minutes after arriving at Sacramento downport his chief concern was a good cup of coffee and making it to baggage drop before his claim stub expired.

He checked the stub. An hour left on it. Plenty of time to stop for coffee. Real coffee, not the caffeinated blackened water the grunts on Mont DeLillo drank. He squeezed onto a slidewalk heading toward one of three of the port’s malls and food courts.

The slidewalk dropped him at the edge of an octagonal court. Fast food joints lined the octagon’s rims. Travelers clumped at tables and booths, eating breakfast. Somewhere from one of the kiosks at the edge of the court, the aroma of brewing gourmet coffee poured into his nostrils. He switched on his vidcom and linked to his credcard balance. He could buy coffee and breakfast and still have enough left over for anything else he might need.

His com chirped as he made his way toward the coffee kiosk. He clicked Talk. “Parker.”

“Cass here.”

“What’s up?” He stopped, turned around after passing the coffee kiosk.

“Wanted to see if you could do something for me.”

At the kiosk, he queued up behind a purple-crested urvogel—a female by the looks of it. “What? No ‘Parker, I’m glad you’re alive?’”

“Right, right . . . Glad you’re alive, Parker.”

“Thanks.”

“Wanted to give you a heads up . . . an urvogel delegation is arriving Sacramento downport in about an hour. You’re there. So . . .”

“Can I snap some vid, get a few quotes?”

“I knew you wouldn’t disappoint, Parker.”

“No prob.” He clicked the vidcom off. Lucky for him the urvogel was still waiting for the barrista to froth the watery orange tactdyl tea they loved. He could find out from her at which port the delegation was arriving. “They seem a little slow today don’t they, Honorable One?” He had assumed the purple crest placed her in the diplomatic corps and addressed her properly.

The urvogel snaked an eye toward Jonah. “Your kind always seems so,” the bird clicked in perfect Anglic, for which Jonah was glad; his translator, along with everything else, was awaiting pick up.

He clicked a greeting in Urvogellian, though with a thick-tongued, awkward accent. The diplomat ignored him. No matter. He continued his formal greeting, clasping his hands together as if about to pray, and bowed at the bird.

With grace she accepted her cup of tea, paid the barrista, and looked at Jonah again, this time with a little less contempt.  She returned the bow. “No need to be so formal. Your kind, always trying to impress.” She shook her head, her crest bristling quizzically.

“You’re with the delegation, right?” he asked.

“Why would you say that?” She seemed angered, offended.

“Y-your crest . . .” Damn it. He hated when his voice cracked like that. “Anyway, no matter . . . I just thought you might . . .”

“Because of the crest?”

“I didn’t mean to offend.” Shouldered over her forewing was a large vidcom bag. Shit, she was media, too. What a dumb ass! Urvogellians had to rank at least purple-crest to serve offworld.

“Lighten up,” she said. “Quillip’akta’ur.” She extended her forewing to shake hands. “Yes, I am part of the diplomatic corp. Lower level. Public relations. Covering the delegation for the corp.”

“Jonah Parker.” He shook the delicate forewing.

“Parker? The writer?”

“Yes.” His face flushed. Four years in the business and he still felt awkward when someone recognized his work.

“They have you covering the delegation?” Her crest flattened, then rose again. “I thought you were still on Ukiah.”

“Guess you missed my last report.” He smiled. “But, yeah, my editor . . . she was supposed to pick me up half an hour ago . . .”

“You don’t have to say anything more.”

Editors were editors no matter the culture. Reporters were their servants. Jonah peered at the time on his com. “The delegation, they should be here soon. Where are they docking?”

Quillip’akta’ur eyed the hand-sized device Jonah held. “You’re shooting with that?”

“Guess I’ll have to.” He shrugged. “My stuff’s in baggage claim. And your people are always on time.”

The urvogel’s beak parted, a gesture indicating a smile. “We have enough time to get you better equipment. I have extra coms at our bureau.”

#

The vidcom Jonah’s new friend lent him was made for thinner fingers, so it was clumsy in his hands, but it would produce better shots than his personal com. He stood alongside Quillip’akta’ur in the throng of reporters and remote drones covering the delegation’s arrival. He hated this impersonal approach. Every story from the delegation’s appearance, including his, would sound the same. A change-up in the lead. A slightly different camera angle. But the same story. Even the major outlets would have the same sound bites.

If he hadn’t been available for this event, Cass would have sent a remote drone. He was available, and cheaper than the drone.

A silvery dot flickered above the docking port. Two smaller dots appeared on either side of the larger one. A crackling boom came across the sky. The narrow river of media pushed closer to the velvet rope barrier keeping them away from the landing zone where the shuttle would arrive. Jonah shoved aside an out of shape disheveled slug to let Quill into the front row. It was the least he could do. She clicked her thanks as the dots in the sky took shape.

The shuttle was elegant, an urvogellian design: sleek and slender in the front, a bulb in the back, small wings to the side, a shape much like the species that created it. Upturned thrusters allowed the craft to hover while landing skids were lowered.

Jonah turned his vidcom away from the shuttle to the swiftly departing fighter escort. Another reminder of the war on Ukiah. The war—probably the reason an urvogellian delegation was coming to Bergstrom. The urvogellians wanted to withdraw more than 5,000 personnel from Ukiah, which placed the war more and more into Bergstromian, and therefore Terran, hands.

Jonah couldn’t blame the urvogellians. Seven years of fighting and the alliance was nowhere near stanching Ukiahan terrorism in the republic. Several thousand urvogellian males had lost their lives in the fighting.

#

His story uploaded and filed, Jonah left the urvogellian bureau after a cup of tactyl tea with Quill. With his claim stub expiring in ten minutes, he rushed to baggage claim, making his way through several labyrinthine concourses, passing gate after gate until he found a bank of elevators. He took an elevator to the port’s lowest level. An expired stub would mean loss of every vidcom and notepad, every pen and pencil he had taken with him to Ukiah—at least for two months while port authority and planetary security riffled through it, making sure he wasn’t Ukiahian intelligence or that his pencils weren’t bombs. If he didn’t make it to the claim desk, it would certainly mean loss of his last story detailing the allied retreat from the ruins of Mont DeLillo. He stared at the fading claim code on the poker-chip sized plastic card. Three minutes.

He pushed his way out of the elevator with one minute left and thrust the wafer at a counter clerk. The clerk eyed the stub indifferently, took Jonah’s ID and press pass, told Jonah he’d have to wait for clearance because the stub had expired, and disappeared into an office.

As Jonah waited, Cass rang him up.

“Great story,” she said. “A couple of questions, though . . .”

“OK?” He rolled his eyes. A couple of questions from Cass could take hours. Then again, he probably had hours since he had to wait for his bags.

“The delegates really were science corps?”

“Yes. They were blue-crested. And I confirmed it with Quill . . . uh, the urvogellian who lent me her equipment.”

“And all female?”

“As far as I could tell. You know how hard it is to tell with them before mating season when the tail plumage comes out.” He shifted in his chair. “And I confirmed that with Quill, too.”

“Odd. Very odd.”

“What?”

“I would have thought it was diplomatic. Not scientific.”

“It’s true. Apparently they’re scheduled to go to Ghi in a few days. Don’t know what for. Couldn’t get much during the grip and grin. Even Quill wasn’t sure.”

“Hmmm. We’ll have to keep an eye on that. Anyway . . . you think you could grab a taxi? My car’s being worked on. We’ll reimburse you when you get to the office.”

“Um . . . as long as you can reimburse me today.”

“I’ll see what I can do.”

She clicked off before he could say anything else.

#

“Only one bag?” Eugenides asked his mark . . . um . . . fare.

His fare nodded warily and slid into the tear-shaped, puke-green car. Eugenides loved the downport fares. They rarely said crap about his prices. They just wanted to get to their hotel or meeting, or whatever brought them to Bergstrom. This guy, though—well, some extra customer service skills might help. Security must’ve harassed him.  No doubt set off by the week’s beard growth, the dingy t-shirt, the blue doo rag hanging sweatily against his head. Maybe a scammer like himself. Perhaps someone caught at his scam and kicked from the port by security.

Eugenides swiveled to look at the guy slumped in the back seat. Or maybe he just needed coffee. “Where to?”

The guy gave him an address. The Sacramento Free Press and Journal. An unusual destination. It wasn’t ideal, not a block away from the downtown cop shop. Eugenides shrugged. A fare’s a fare. He set the route on the GPS, turned on the meter, and the car hummed into motion.

As the car neared downtown, Eugenides rerouted the GPS to bypass the cop shop. The car hopped into a new lane, passed the monorail station and hovered in an empty spot in the Journal’s employee parking lot.

His fare unbuckled his seat belt and thanked Eugenides for the ride. Before hopping into traffic Eugenides was surprised to see the man walk into the Journal’s editorial office. If the guy really was a reporter, that could be bad for business.

He hovered at a traffic light, a little angry with himself. Perhaps he had pushed his scam too long. The light flickered green. He shrugged. On to something else, then. The green tear drop disappeared into the early rush hour traffic.

#

The office was at an unusual lull, a com chirping here and there, a handful of people gazing at monitors, snickering at the latest viral video. Cass was either fiddling with a column of text or answering e-mail, Jonah couldn’t tell.

“Hey Cass.” Jonah was at her desk before she saw him. “You get that cabbie’s operator’s number?”

She turned, glanced at him. “Parker. You’re back.”

“No thanks to you.”

“You should feel lucky that I was able to get your reimbursement today,” she said. She minimized the apps she had up. “You have your credcard?”

He handed her the card.

“And yeah,” she said, “that cab was stolen. Reported stolen by Ray’s about a month ago.” She stuck a slender data disk into the card’s port. “So you got taken.”

“Thought so.” He’d been scammed. A stolen taxi. Wonder how long that guy had been running fares at three times going rate?

The credcard beeped.

“Uh oh,” Cass said. “You have an alert on your account. It won’t let me upload the money.”

“Son of a bitch.”

“You’ve had a pretty crappy welcome home, huh? You’re bags impounded, you’re account hacked.” Cass smirked. “At least you were able to get that story for me.”

“Yeah. You know me. Always glad to serve.”

#

At his desk, he called Bridget. He shook his head as he waited for her to pick up. Why hadn’t he called her instead of getting in the taxi? The best answer: the familiar green tear-shaped car had drifted in front of him almost as if he willed it. The true answer: he didn’t think this woman he’d known for less than a week before he got the assignment on Ukiah would still be around. The call went to voicemail.

Her class began at six. It was five-thirty. She was probably nowhere near a com. Instead she was probably checking equipment, testing the old-fashioned wire hook ups on the epees and foils. Most had at one time shorted during bouts, causing the judges to naked-eye hits, causing long arguments over who hit whom. Some of her class could be real divas. They complained about everything, including the shoddy equipment. They were also the ones with enough money they could’ve donated equipment to the piste.

Jonah wasn’t a diva. Couldn’t have cared less whether his epee was plugged to frayed wires or scored points with a laser system. He just thought it was unique someone had opened a piste a block from the Journal. Outside of movies or martial arts competitions, fencing was almost unheard of. Well maybe on some backwater system on the Rim, they fought with swords. But no need in civilized space. Not when you could make pink mist of someone’s head from 1,000 meters away.

He skimmed his story, checking Cass’s edits. The video was shaky, as he’d expected, but the story was perfect. As perfect as a grip and grin story could be. Just enough information to get the conspiracy theorists riled up, at least from what he could tell of the comments. All of them had their ideas about why the urvogellians had sent a scientific delegation. All of them saw a government cover up, something to hide about the war.

“You’re still here?”

He peered up from his screen. “Just approving your edits.”

“Perfect as always.”

“Of course.” It was now twenty after six. Twenty minutes after his shift was over. He thumbed his com, wondering if he’d somehow missed Bridget’s call back.

“Didn’t I tell you to go home an hour ago?”

He shrugged. “Still don’t have a ride.”

“Then you have a couple of minutes?”

“Sure.”

Down the elevator, reporter and editor headed into the dingy break room and a wall of stale, burnt coffee.

Booking Through Thursday: First Books

Here is the latest Booking Through Thursday:

What is the first book you remember reading? What about the first that made you really love reading?

At the moment, the first book that comes to mind is Robert Louis Stevenson’s Treasure Island, a book my grandmother gave me. Then there was probably also Tom Sawyer, also a gift from my grandmother’s library. But, if I were to check the dates on those books (she signed and dated the books she gave me), they’d probably date to the mid to late seventies. Which would make me about 8 to 10 years old.

Obviously, I had learned to read before then, and I know had learned to love reading before then. My love of reading probably formed when my dad taught me to read the Sunday funnies. I associate much of my love of reading with my family, and with my dad especially.

Some of the best times with him were stops for Cokes on Sunday walks at a convenience store. At the store were those great wire racks of comics. I usually ended up with a Coke and a funny book — as dad called them. I read comics voraciously.