Exile on Ninth Street

New Year’ Eve 2011 update of Books Bought, Books Read (with commentary as warranted):

Books bought since Oct. 1, 2011:

• The Edge of Reason by Melinda Snodgrass (An excellent, fast-paced urban fantasy novel featuring a battle between magic and reason.)
• Healthy Aging: A Lifelong Guide to Your Well-Being by Andrew Weil, M.D. (Has a good exercise routine for us old farts.)
• Wild Cards, Volume One, edited by George R.R. Martin (A collaborative novel-in-stories about alien viruses, a foppish alien, jokers—and maybe some smoker and midnight tokers—and reluctant superheroes know as Aces. Currently reading this novel. Interesting that SF and fantasy novelists, as well as other genre novelists seem to collaborate and create. Something not often seen with “literary” fiction.)
• Kitchen Confidential by Anthony Bourdain (Who wouldn’t want to be as cool, well-fed and well traveled as Bourdain?)
• Forty Signs of Rain by Kim Stanley Robinson
• Metaphase by Vonda McIntyre (third in her Starfarers series)
• The Year’s Best Science Fiction, Twenty-fifth Annual Collection, edited by Gardner Dozois
• Year’s Best SF 9, edited by David G. Hartwell and Kathryn Cramer
• The Edge of Ruin by Melinda Snodgrass (second in her Edge series)
• Marsbound, Starbound and Earthbound by Joe Haldeman (a trilogy)
• Make a Scene: Crafting a Powerful Story One Scene at a Time by Jordan Rosenfeld
• World-Building: A Writer’s guide to constructing star systems and life-supporting planets by Stephen L. Gillett
• A Novel in a Year by Louise Doughty
• Creative Visualization by Shakti Gawain

In the SF Masterworks series:

• Babel-17 by Samuel Delany (My first of Delany’s novels. A wild ride with hints of pre-cyberpunk. Also concerned with the nature of language, in this case a language that has to be understood in order to deal with a potential alien threat.)
• Gateway by Frederik Pohl
• Flowers for Algernon by Daniel Keyes (looking forward to reading this after reading the original short story)
• Flow My Tears, the Policeman Said by Philip K. Dick
• The Shrinking Man by Richard Matheson
• Rendezvous with Rama by Arthur C. Clarke

Books Read:

• The Accidental Time Machine by Joe Haldeman (Time keeps on slipping, slipping . . .)
• Healthy Aging: A Lifelong Guide to Your Well-Being by Andrew Weil, M.D. (Has a good exercise routine for us old farts.)
• The Edge of Reason by Melinda Snodgrass (An excellent, fast-paced urban fantasy novel featuring a battle between magic and reason.)
• Babel-17 by Samuel Delany (My first of Delany’s novels. A wild ride with hints of pre-cyberpunk. Also concerned with the nature of language, in this case a language that has to be understood in order to deal with a potential alien threat.)

Childhood’s End by Arthur C. Clarke

My rating: 4 of 5 stars

One of the most common — if not the most common — tropes of science fiction is the alien invasion story. Its so common, now, its cliche. Still, it shows up, especially in movies and on TV.

Though the stories are commonplace, a staple of the genre, when those stories are well told, and not just shoot-’em-ups (that style has its place too, though, along with a tub of popcorn) they often give you a perspective of humanity’s direction, its potential, and even its faith in itself as a species to survive.

Arthur C. Clarke’s classic Childhood’s End does just that. It’s an alien invasion story with a twist. When the aliens — the Overlords — come, when their massive ships park over our skies, those ships don’t erupt with explosive death rays to blow up buildings, nor do they blow up the planet itself to, say, make way for a hyperspace bypass. Instead, the Overlords, essentially do nothing for years, except observe.

Well, observe, and then direct. Though the Overlords don’t initially show themselves, they do, however, make contact with humanity, and, in turn, indirectly begin to shape humanity’s course, bringing about world peace, and establishing a near-utopian society. As the Overlords establish this utopia, their true purpose unveils itself: Earth is something of an experiment, one conducted not by the Overlords, but by a God-like being, the Overmind. The Overlords, it turns out, are no more than servants and errand boys sent by the Overmind to carry out its purpose, to draw humanity into its being.

Clarke plays with multiple themes common to SF: utopia and dystopia, the limits of science and technology, for example. He asserts, through these genre commonplaces, that humanity is responsible for itself; its future can be either bleak and apocalyptic or it can be, if not utopian, at least worthwhile. We cannot, Clarke seems to suggest, lose faith in ourselves.

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